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Read the Leaves
 
A Personal Tale:
The Japanese Tea Ceremony

by Carolyn Stevens


In August 1990, I moved to Japan to study Japanese language as part of my PhD in anthropology. I moved into an old apartment building in the northern part of Yokohama and my landlord and landlady, an elderly couple, lived in the apartment right next door. They went out of their way to make me feel comfortable by having me over for, what else, tea and accoutrements.

Two weeks after I moved in, my landlord died very suddenly of an embolism. His wife rushed over to my apartment to tell me the schedule for the funeral. I could see, despite my limited Japanese, that I was to participate as almost a member of the family. That meant I had to participate in an evening memorial service, a funeral and cremation the next day and a burial ceremony the following month. All of these rituals were followed by meals so that they became pretty much all-day affairs.

I was fairly shaken by the whole experience: first of all, I hadn't packed mourning clothes for the trip! and more importantly my Japanese was pretty rudimentary. Furthermore, I'd never been to an open casket funeral before. . . somehow I got through it, and put it down to experience. Later, I told my Japanese teacher how uncomfortable I was during the process and wondered what I could do to improve my composure in these situations. It wasn't just the language: I felt sore and clumsy twisting my long legs underneath my body while sitting on tatami (in a position called seiza); I was still awkward with chopsticks at the meals and people spoke in formal language patterns with which I was totally unfamiliar. My teacher seemed to understand completely and told me to call the school's calligraphy teacher. Why? I thought - but it turned out Kobayashi sensei not only taught brush strokes but tea ceremony.

The main idea behind tea ceremony is finding harmony between oneself and the world through moderating one's actions, and interacting with objects of art and nature (and people). Participating in a chakai (a tea "party" in tea ceremony) means that you must follow some rules; there is an order and flow to the interaction. My teacher recommended I study tea ceremony so that I could learn this flow, which included keigo (polite language), techniques to enter, sit, rise, and exit a tatami room, and a graceful way to pick up and put down chopsticks. Students of tea ceremony don't just learn to make tea, but also how to accept it graciously. There are many small details, such as dropping the knee to the most distinguished guest in the room when rising in a tatami room: this signals your respect to him/her. Amazing! This was exactly what I wished I had known while at the funeral. Even though I only studied sado for about a year, I carried this knowledge with me for the next four years that I lived in Japan.

The religious, aesthetic and culinary aspects of sado (tea ceremony) are of course very important, but my most important lesson from the centuries-old tradition was how to interact with Japanese people at important occasions like funerals, weddings, business lunches, etc. Some how tea training helped me to "grease the wheels" of Japanese society. And after sitting seiza for awhile, it does eventually become less painful. I found that I could make three cups of tea and clean up before I completely lost all sensation in my feet. I never managed to host a four guest party!

Thank You.

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